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At the same time, Daniels had a deep interest in jazz, stemming from an early fascination with the saxophone lines on Frank Sinatra records, but since there were so few jazz curricula in the s, he learned the language outside of school. The mids was a fertile period, to say the least, for Daniels. Thanks to his doubling skills, he worked in Broadway pit bands and started playing jazz professionally.

Balancing a Clarinet Choir

For his first jazz gig, in , he was on tenor saxophone in an ensemble led by the clarinetist Tony Scott, at the Half Note in lower Manhattan. Thad Jones and Mel Lewis came in to check out the band one night, and a week later Daniels got a fateful phone call. You have a president who has a decency about him, he affects you.

After six years with Jones and Lewis, playing both in New York and on European tours, Daniels realized that he needed a change of setting. I wanted to solo more. So I thought of having my own quartet, so that I could play more solos, and that ended up happening. As the saying goes, be careful what you wish for.

Heart of Brazil was something of a challenge for Daniels. And I thought, How am I gonna do this? So I asked Daniels how he did it—and how he consistently seems to pull off the impossible on his instrument. I totally surprised everyone, including myself, because it was [recorded] live.


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When I visited Daniels at his hotel the morning of the concert to chat about his long career in music, he seemed warm and vigorous, a young septuagenarian. Daniels first encountered Sachs when he was 10, on a family vacation in the Catskills. Daniels began playing clarinet at 13, not so much because he was drawn to the instrument but because woodwind teachers encouraged their students to play multiple instruments, in the interest of becoming competitive as professional musicians. And I just thought of it.


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At the same time, Daniels had a deep interest in jazz, stemming from an early fascination with the saxophone lines on Frank Sinatra records, but since there were so few jazz curricula in the s, he learned the language outside of school. The mids was a fertile period, to say the least, for Daniels.

Thanks to his doubling skills, he worked in Broadway pit bands and started playing jazz professionally. For his first jazz gig, in , he was on tenor saxophone in an ensemble led by the clarinetist Tony Scott, at the Half Note in lower Manhattan. Thad Jones and Mel Lewis came in to check out the band one night, and a week later Daniels got a fateful phone call. You have a president who has a decency about him, he affects you. After six years with Jones and Lewis, playing both in New York and on European tours, Daniels realized that he needed a change of setting. I wanted to solo more.

Who is the greates player you know, that the rest of us have never heard? Without a shadow of doubt. He he he!

Mozart - Clarinet Concerto [Sharon Kam]

Louis Sclavis. Ned rothenberg. Armand Angster. Harry Spaarnay. Eduard Brunner. Suzanne Stephens.

Carter so perfectly it frightened me. He is having another Free concert on the 15th of this month and on the 20th.

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He is the most phenomenal that I have personally heard. The guy can flat out play. Well, no one reallys knows for sure who's the best.. And we would miss it greatly. It's simple really - it's that person whom YOU would really like to sound like. Though he is well-marketed and makes a ton of money, I doubt ANY saxophonist will tell you that they think Kenny G is the best.

I'd think clarinet is similar in this regard. Enter your email address or user name below and a new password will be sent to the email address associated with your profile. Search Woodwind. Please, no more than two at a time - ads removed after two weeks. Accessories Accessories that every clarinetist needs - reed makers and shapers, ligatures, greases, oils, and preservatives Service Instrument repairs, restorations, adjustments, and overhauls.

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